Verses 1.19–1.22
स घोषो धार्तराष्ट्राणां हृदयानि व्यदारयत्।
नभश्च पृथिवीं चैव तुमुलो व्यनुनादयन्।।1.19।।
sa ghoṣo dhārtarāṣṭrāṇāṃ hṛdayāni vyadārayat I nabhaś ca pṛthivīṃ caiva tumulo vyanunādayan II 1.19
The terrible sound echoing through the sky and the earth rent the hearts of the sons of Dhṛtarāṣṭra.
अथ व्यवस्थितान् दृष्ट्वा धार्तराष्ट्रान्कपिध्वजः।
प्रवृत्ते शस्त्रसंपाते धनुरुद्यम्य पाण्डवः।।1.20।।
atha vyavasthitān dṛṣṭvā dhārtarāṣṭrān kapidhvajaḥ Ipravṛtte śastrasaṃpāte dhanur udyamya pāṇḍavaḥ I hṛṣīkeśaṃ tadā vākyam idam āha mahīpate II 1.20
Seeing the sons of Dhṛtarāṣṭra arrayed in the battle field, Arjuna, the son of Pāṇḍu, who was seated in his chariot, bearing the flag marked with Hanumān, took up his bow.
हृषीकेशं तदा वाक्यमिदमाह महीपते।
सेनयोरुभयोर्मध्ये रथं स्थापय मेऽच्युत।।1.21।।
arjuna uvāca senayor ubhayor madhye rathaṃ sthāpaya me ’cyuta I yāvad etān nirīkṣe ’haṃ yoddhu kāmān avasthitān II 1.21 kair mayā saha yoddhavyam asmin raṇasamudyame II 1.22
Arjuna said: O Acyuta (Infallible One), please place my chariot between the two armies while I may observe these warriors arrayed for battle and with whom I have to engage in fight.
यावदेतान्निरीक्षेऽहं योद्धुकामानवस्थितान्।
कैर्मया सह योद्धव्यमस्मिन्रणसमुद्यमे।।1.22।।
arjuna uvāca senayor ubhayor madhye rathaṃ sthāpaya me ’cyuta I yāvad etān nirīkṣe ’haṃ yoddhu kāmān avasthitān II 1.21 kair mayā saha yoddhavyam asmin raṇasamudyame II 1.22
Arjuna said: O Acyuta (Infallible One), please place my chariot between the two armies while I may observe these warriors arrayed for battle and with whom I have to engage in fight.
When Bhīṣma sounded his conch, it invited back the resounding response of the conches of the Pāṇḍava warriors. There is no mention by Sañjaya that Bhīṣma’s conch or the accompanying sounds of drums and trumpets from the Kaurava army caused any concern amongst the Pāṇḍava army. What he says now is different. With the roar of the conches of the Pāṇḍava warriors, led by Kṛṣṇa and Arjuna, Sañjaya says that the hearts of the sons of Dhṛitarāṣṭra were shattered. The words used here are significant. He says that the blowing of the conches created vibrations in the sky and upon the earth. The conches of the Pāṇḍava princes and other great warriors were not mere musical instruments; they were filled with great spiritual power and divine presence.
They were in fact mantra or sacred sounds, which created powerful vibrations affecting the environment. That is the uproar Sañjaya was talking about. In the Hindu Purāṇas, epics, one finds references to weapons called astra. An astra is not a physical weapon. It is a thought, a word that was given enormous power by its creator to destroy, even to the extent of a nuclear device. Later in the Mahābhārat war, power nuclear weapons like Brahmāstra, deadliest of all the astras, capable of delivering destruction were attempted to be used. Just by the power of thought and words,thenuclearenergywasinvokedinthewarrior’smountedarrow.Kṛṣṇa received the Brahmāstra on Him before it could do any damage. The conches that the Pāṇḍava warriors used were not meant to destroy physically, but they were clearly successful in destroying the fantasies of the Kaurava princes.
The purpose of sounding conches was to set the stage for the battle and to define its boundaries. The Pāṇḍava princes and warriors had the comfort of knowing that they were doing what was right, both in their own hearts and in the eyes of God, since they had the association and support of Kṛṣṇa Himself. The Kaurava princes were afraid. All that motivated them was greed and envy. They did not have divine purpose as their motivation. Sañjaya, with his powerful ājña, third eye vision, was able to see far beyond the superficial responses on the battlefield. He was able to unravel the unconscious, deep rooted patterns, emotions and responses of the warriors.
Whatever may have been the perceived reaction of the Kaurava army to the response from the Pāṇḍava warriors, Sañjaya concludes that the Kaurava princes were demoralized, imbalanced. The armies went face-to-face in military formation. The conches had sounded in anticipation. The warriors on both sides were waiting for their commanders to signal the first move in offense. Arjuna was at the forefront of the Pāṇḍava army. He had blown his conch, Devadatta, at the same time as Kṛṣṇa sounded His Pañcajanya. Arjuna had taken up his divine bow Gāṇḍīva, and had fixed the arrow to the bow. However, instead of releasing the arrow, Arjuna looked at the Kaurava army amassed in front of him, with all the Kaurava princes, his cousins, facing him.
He then addressed Kṛṣṇa, his friend, mentor, divine guide and charioteer. For the first time in this scripture, Arjuna speaks. Arjuna is not the mere hero of Mahābhārat in this Gītā scripture. He is the embodiment of all humanity. He is Nara, the human aspect of Nārāyaṇa, Lord Viṣṇu, who in turn is Kṛṣṇa. Kṛṣṇa and Arjuna, as Nārāyaṇa and Nara, as the Divine and human, is the theme that runs throughout Bhagavad Gītā and also much of the epic Mahābhārat. ‘Achyuta, O Infallible One,’ said Arjuna to his friend and mentor, ‘Please take me to a vantage point between the two armies so that I can see for myself who I am fighting with.
Let me see who is assembled here on this battlefield,’ he says. ‘Kṛṣṇa, please show me who I must vanquish.’ Arjuna already knew to the last man, each one who was on that Kurukṣetra battlefield. He had no confusion about whom he was fighting. All these decisions, negotiations, changing of loyalties, dropouts, all these happened in the days before the war. The lines had been drawn very clearly, even if unwillingly in some cases. It made no sense at all for Arjuna to ask Kṛṣṇa at this last minute to show him clearly who he was fighting against. It was as if he was hoping that at the last minute something would occur to change the course of events.
If that were to happen, he knew that it could only take place through the grace of his charioteer, friend and guide, Mādhava. It is as if Arjuna was making a desperate plea to Kṛṣṇa, ‘Please show me something that I do not know. Show me something that You alone know, Oh Achyuta (Infallible Divine). Take me there, where You will, and show me.’